000 02046cam a2200373 i 4500
999 _c2949
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003 OSt
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008 171019t20182018enka b 001 0deng
010 _a 2017045358
020 _a9780815396895
_qpaperback
020 _a0815396899
_qpaperback
024 8 _a60002250097
035 _a(OCoLC)1007503336
_z(OCoLC)1004928482
040 _aDLC
_beng
_erda
_cDLC
_dYDX
_dOCLCF
_dOCLCO
_dYDX
_dOCLCO
_dERASP
_dKH8
042 _aanuc
082 0 0 _a832.912 MUM
_223
100 1 _aMumford, Meg,
_eauthor.
245 1 0 _aBertolt Brecht /
_cMeg Mumford.
264 1 _aAbingdon, Oxon ;
_aNew York, NY :
_bRoutledge,
_c2018.
264 4 _c�2018
300 _axii, 191 pages ;
_c21 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aRoutledge performance practitioners
504 _aIncludes bibliographical references and index.
520 8 _aBertolt Brecht's methods of collective experimentation, and his unique framing of the theatrical event as a forum for change, placed him among the most important contributors to the theory and practice of theatre. His work continues to have a significant impact on performance practitioners, critics and teachers alike. Now revised and reissued, this book combines: an overview of the key periods in Brecht's life and work; clear explanation of his key theories, including the renowned ideas of Gestus and Verfremdung; an account of his groundbreaking 1954 production of The Caucasian Chalk Circle; an in-depth analysis of his practical exercises and rehearsal methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are an invaluable resource for students and scholars.
600 1 0 _aBrecht, Bertolt,
_d1898-1956
_xCriticism and interpretation.
653 _aAustralian
830 0 _aRoutledge performance practitioners.
982 _a20180420
942 _2ddc
_cTR