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| 008 | 171019t20182018enka b 001 0deng | ||
| 010 | _a 2017045358 | ||
| 020 |
_a9780815396895 _qpaperback |
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| 020 |
_a0815396899 _qpaperback |
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_a(OCoLC)1007503336 _z(OCoLC)1004928482 |
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| 042 | _aanuc | ||
| 082 | 0 | 0 |
_a832.912 MUM _223 |
| 100 | 1 |
_aMumford, Meg, _eauthor. |
|
| 245 | 1 | 0 |
_aBertolt Brecht / _cMeg Mumford. |
| 264 | 1 |
_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2018. |
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| 264 | 4 | _c�2018 | |
| 300 |
_axii, 191 pages ; _c21 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aRoutledge performance practitioners | |
| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 | _aBertolt Brecht's methods of collective experimentation, and his unique framing of the theatrical event as a forum for change, placed him among the most important contributors to the theory and practice of theatre. His work continues to have a significant impact on performance practitioners, critics and teachers alike. Now revised and reissued, this book combines: an overview of the key periods in Brecht's life and work; clear explanation of his key theories, including the renowned ideas of Gestus and Verfremdung; an account of his groundbreaking 1954 production of The Caucasian Chalk Circle; an in-depth analysis of his practical exercises and rehearsal methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are an invaluable resource for students and scholars. | |
| 600 | 1 | 0 |
_aBrecht, Bertolt, _d1898-1956 _xCriticism and interpretation. |
| 653 | _aAustralian | ||
| 830 | 0 | _aRoutledge performance practitioners. | |
| 982 | _a20180420 | ||
| 942 |
_2ddc _cTR |
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