| 000 | 03008cam a22003374i 4500 | ||
|---|---|---|---|
| 999 |
_c2935 _d2935 |
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| 001 | 17539937 | ||
| 003 | OSt | ||
| 005 | 20230912152836.0 | ||
| 008 | 121126s2013 enk b 001 0 eng | ||
| 010 | _a 2012042045 | ||
| 020 | _a9780415535304 (pbk. : alk. paper) | ||
| 040 |
_aDLC _beng _cDLC _erda _dDLC _dKH8 |
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| 042 | _apcc | ||
| 043 | _ae------ | ||
| 082 | 0 | 0 |
_a792.02 CON _223 |
| 130 | _aThe contemporary ensemble | ||
| 245 | 0 | 4 |
_aThe contemporary ensemble : _binterviews with theatre-makers / _cedited by Duška Radosavljević. |
| 264 | 1 |
_aLondon ; _aNew York : _bRoutledge, _c2013. |
|
| 300 |
_axii, 284 p. ; _c21 cm. |
||
| 336 |
_atext _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aIntroduction -- Redefinitions of ensemble. Michael Boyd (Royal Shakespeare Company): A "contingent community" in a free market economy -- Gabor Tompa (Hungarian Theatre of Cluj): Between the East and the West today -- Hermann Wündrich (The Berliner Ensemble): How The Berliner Ensemble changes with time -- Yuri Butusov (guest director Satirikon Theatre): Directing as an art of composition -- Max Stafford-Clark (Out of joint): A tried and tested ensemble methodology -- Elizabeth Lecompte (The Wooster Group): "A group of people around a place" -- Lyn Gardner (The guardian newspaper): On regional theatre-making -- Working processes. Anton Adassinsky and Elena Yarovaya (Derevo): Beyond words -- Emma Rice (Kneehigh Theatre): From a community to The West End -- Joanna Holden (Northern Stage, Kneehigh, Cirque du soleil): On being an ensemble actor in the UK -- Ian Morgan (Song of the goat): An actor's journey between Wales and Wroclaw -- Dan Rothenberg (Pig Iron): "Comic figures repurposed" -- Adriano Shaplin (The Riot Group): Ensemble as a musical "intersubjective unit" -- Hanna Slättne (Tinderbox Theatre): Working together in Northern Ireland -- Alexander Kelly (Third Angel) and Chris Thorpe (Unlimited Theatre): On writing and performance in an ensemble -- Ensemble and the audience. Mike Alfreds (ex-shared experience, method and madness): Sharing the experience of imagination -- Greg Allen (The Neo-futurists): An interactive ensemble -- Phelim McDermott (Improbable): "Safe emergencies" -- Peter Eckersall (Not yet it's difficult): The dramaturgy of long-term cross-cultural collaboration -- Katarina Pejovic and Boris Bakal (Shadow casters): Ensemble as a tool of civic engagement -- David Bauwens, Alexander Devriendt, Joeri Smet (Ontroerend Goed): On courting the audience -- Richard Jordan (Richard Jordan Productions): Towards a global ensemble. | |
| 650 | 0 |
_aEnsemble theater _zEurope _xHistory _y21st century. |
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| 650 | 0 |
_aTheater audiences _zEurope _xHistory _y21st century. |
|
| 650 | 0 |
_aTheatrical producers and directors _zEurope _vInterviews. |
|
| 650 | 0 |
_aActors _zEurope _vInterviews. |
|
| 700 | 1 |
_aRadosavljević, Duška _eeditor of compilation. |
|
| 942 |
_2ddc _cTR |
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