000			01282cam a22003011a 4500
999			_c2932 _d2932
001			436501
003			OSt
005			20230912150239.0
008			201010s2008 enk 000 0 eng
015			_aGBA783677 _2bnb
020			_a9780141189222 _q(pbk.) : _cGBP$9.99
020			_a0141189223 _q(pbk.)
035			_a(OCoLC)175283769
040			_aUKM _beng _cUKM _dBTCTA _dUBC _dGBVCP _dYDXCP _dUKBOL _dOCLCF _dOCLCO _dOCLCQ _dP4A _dBOS _dOCLCO _dOCLCQ _dUKMGB _dCNCLB _dOCLCQ _dNHU _dKH8
042			_anbic
082	0	4	_a792 BRO _222
100	1		_aBrook, Peter, _d1925- _eauthor.
245	1	4	_aThe empty space / _cPeter Brook.
260			_aLondon : _bPenguin, _c2008.
300			_a157 p. ; _c20 cm.
490	1		_aModern classics.
500			_aOriginally published: London: McGibbon & Kee, 1968.
505	0		_aDeadly theatre -- Holy theatre -- Rough theatre -- Immediate theatre.
520			_a'I can take any empty space and call it a bare stage', so begins Peter Brook's 1968 exploration of theatre, and his own life and career in it. He describes the, as he sees it, four types of theatre - deadly, holy, rough and immediate - and recounts his groundbreaking work at the Royal Shakespeare Company.
650		0	_aTheater.
830		0	_aMethuen Drama modern classics.
942			_2ddc _cTR